Baggage:

Antler Medium Suitcase in Green Gloss £210

My absolute go-to for suitcases, Antler, has brought out a limited edition version of their iconic stripe case, now in a festive green. With silent glide 360 spinner wheels and bespoke comfort-grip handle, you’ll be taking a slice of the Christmas spirit with you no matter where you go.

MCM Ottomar Passport Holder in Visetos Original £230

The Visetos Original line showcases MCM’s signature monogram coated canvas in all its enduring style. This passport holder is far from regular. Fitted with eight card slots, a removable leather zip pouch, and a sleeve for cash and receipts, the MCM holder will become a memento to anyone’s trip.

Troubadour Everyday Apex Duffle £245

Pockets aplenty, ergonomic comfort and sleek recycled nylon design, the everyday apex duffle truly embodies its name. After one use, you’ll find yourself yearning for it everyday. Switch between the two straps to make navigating the airport a breeze.

Travel tech:

 Nicky Clarke’s AirStyle Pro Infrared & Iconic Hair Dryer & Styler £249.99

The ultimate styling companion when travelling. This is a super lightweight marvel that combines advanced infrared and ionic technology to offer glamorous hair on the go.

LYMA Laser Pro and Exclusive Globetrotter Case £5,595

The world first, clinic-grade cold laser technology, Lyma Laser, now comes in a nifty portable case. A close companion of mine since I began trialing it last year, the Lyma laser is a must on any trip away. Including the LYMA Laser PRO, Exclusive Globe-Trotter LYMA vanity case (worth £1,095), LYMA Skincare and LYMA Oxygen Mist & Glide, stand and charging accessories.

Bang & Olufsen Beoplay H95 Headphones £879 in Chestnut
Adjustable headphones with five levels of noise-cancellation – perfect for every leg of the journey. Tune in as you see fit.

Sonus Roam2 in red £179

The Roam2 is an ultra portable smart speaker with precision-engineered acoustics, up to 10 hours of play and waterproof capabilities. A must have for any trip… and life.

Holiday wear:

Kimeze Ore Sunglasses in Blue £225

These exquisite cat eye shape sunglasses from up-and-coming London brand Kimeze are design led in their unmatched offering of colourful acetate, despite the prolific position it holds in the eyewear industry. They pride themselves on their unisex appeal. Watch this space.

Black Eyewear Carla Sunglasses in Dark Tortoiseshell £197

The ultimate shade. Destined to suit anyone, Black Eyewear have created a masterful interpretation of ’50s shape with a modern sensibility. The comfortable saddle bridge is an added bonus.

Triangl Luce Lopa Bikini £99

Triangl Dacy Lopa Shorts £69

Bring on the festive swimwear. Gift this cherry red textured velvet bikini and matching short set and the 30 degree heat will feel as Chistmassy as ever.

Bond-Eye Indi Triangle £95 and Serafina brief £79

Australian brand Bond-Eye prove their unprecedented position in the swimwear industry with their Indi bikini, made from a revolutionary new fabric that redefines the boundaries between swimwear, athleisure and ready-to-wear. It is incredibly soft, features reversible qualities (offering two for the price of one) and has a beautiful beaded design that will make the wearer a thing of envy. Bravo.

Che Studios Baller Ivory/Green £135

With a boxy fit and retro design, these menswear swimming shorts are for the men in your life that put their best fashion foot forward. The perfect transition from day to night.

BDXY Cameo Shorts £135

 ’80s in style and shape, these quick-drying recycled fabric swimming short shorts are the perfect companion for warm escapes. For the Paul Mescal in everyone.

Gola Made in England 1905 Men’s Harrier Oxford Trainers in Chocolate £210

A luxurious reinterpretation of the iconic Harrier. No journey is greater than one made wearing Gola.

Lucy & Yak Rumo Cargo Trousers in Black £65

Having these on any trip will find you reaching for little else. Effortlessly stylish, ultra light in weight, and incredibly comfortable.

Skincare:

111SKin Wrinkle Erasing Retinol Patches £150

Described as a revolutionary needle-free solution for fine lines and wrinkles, and a proud winner of several awards, these patches from 111Skin work retinol, vitamin c and a powerful peptide complex into the skin, with incredible results.

Augustinus Badar The Face Mist – £75

Ultra hydrating face mist infused with rose water that smells delicious, leaves you feeling hydrated and soothes you into a state of pure relaxation. A must.

Violette_FR 3-in-1 Skincare Spray Boum-Boum Milk £44

99% naturally derived, this spray can rebalance, hydrate, soothe, improve tone and texture all in one. The perfect companion for all climates.

Tolpa Dermo Face range – £8.99-£12.99

Poland’s cult favourite in skincare has officially arrived in the UK. This is perfect for those who experience dryness/rosacea/acne when travelling – i.e. me. Their face wash gel and regenerating creams are a personal favourite.

Institut Esthederm Bronz Impulse Spray £56

This has been a staple in my holiday essentials for the past three years and it makes the perfect gift for those travelling to warmer climates. It works by accelerating the stimulation of melanocyte for a faster tan, use this in preparation for your trip and you’ll quickly notice the positive difference.

It Cosmetics Confidence In A Gel Cream £45

I have been a loyal user of It Cosmetics skincare for 5 years now and their latest iteration, the Gel Cream, is another trophy in the cabinet. For those who experience oily skin when travelling, this product is key.

Marie Reynolds London Hydra-Veil Biocellulose Mask – £39.60 (5x masks)

Utilising the power of Icelandic Moss, these face masks are rich in lichenin, a polysaccharide with powerful moisturising properties. Once use of these and your skin will look like it’s just been revived by a holiday without the need of a trip.

Travel Kits:

Guess Iconic Gift Set £64

Notes of pink pepper, lilybelle captive and mandarin sparkle with bright spice and shimmering citrus in this delightful package of scent. There is nothing worse than being away without your perfume, and this travel centric bag will prove integral to anyone lucky to receive it.

Emma Hardie Nourish and Glow Travel Kit £40

This travel kit has your cleansing routine covered. Use the Emma Hardie method, circles not lines, to massage each product in and soothe the skin.

Memoize London – Deliciae gift set (£225)

Perfume for the hair has been an obsession of mine this past year, and Memoize London has built an irresistible trio of sweet fragrances that is unmatched. A magical blend of notes arises, starting with a soft top note of sweet lemon, melting beautifully into a blend of Morrocan and Taif Rose at its heart.

Flora Intensive Hair Mask £88

The ultimate present for sun damaged hair and scalp. Apply daily and sleep overnight as a hair mask for the utmost strengthening.

ESPA SKINCARE Glow Giving Collection £57

Invigorating enzymes, rich super-fruits and revitalising electrolytes combine in this gift to quench your skin. Featuring cleanser, serum, moisturiser and a detox mask. A must have for sun drenched skin.

Sleep Tight

Anatomé The Mini Gift of Sleep with Silk Sleep Mask £55

Give the gift of restorative sleep this Christmas. From the London based apothecary brand renowned for their products on holistic health and wellness.

Sorel Manawan II Slippers £80

Ah, the infamous gift of a slipper at Christmas. It may be considered an overkill, but finding a sturdy, practical and warm slipper these days can be an absolute nightmare. These suede boot style slippers can reinvent the Christmas slipper legacy.

Boux Avenue Luxe Satin Piped Belted Revere Top £32.00 and Luxe Satin Piped Pants £34.00 in Oyster

Everyone needs a pair of special pyjamas for Christmas day, even those that will be waking up in 30 degree heat. Or if they, like me, are travelling on Christmas day, then worthy of a walk down the plane aisle.

by Lily Rimmer

The post Last-Minute Christmas Gifts for a Warm Escape first appeared on The Glass Magazine.

FOR HER

MARLI New York – Cleo Rev Diamond Slip-On Bracelet with Black Onyx

$23,100 – Buy here

Piaget – Essence of Extraleganza High Jewellery Ring

POA – Buy here

Mosquito Studio – Rosario Necklace

€200 – Buy here

Sonia Petroff – Cascata Tassel Earrings

£370 – Buy here

AKVA Jewellery – Lactuca Brooch

€430 – Buy here

Charlotte Chesnais – Lasso Hoop Earrings

£475 – Buy here

AGMES – Giselle Cuff

£1,300 – Buy here

David Yurman – Oval Link Chain Bracelet in Sterling Silver with 18ct yellow gold

£1,400 – Buy here

886 by The Royal Mint – Tutamen Stack Bracelet

£2,396 – Buy here

Louis Vuitton – Tumbler Fine Jewellery Earrings

£10,400 – Buy here

Van Cleef & Arpels – Perlée Clovers Hoop Earrings

£13,700 – Buy here

Messika – 18kt White Gold and White Diamond So Move XL Bracelet

£13,700 – Buy here

Yoko London – Starlight 18K Gold South Sea Pearl and Diamond Serene Necklace

£20,000 – Buy here

Bucherer – Rock Diamonds Ring in White Gold with 76 Trapezoid Cut Diamonds 

£27,200 – Buy here

Tiffany & Co. – HardWear Graduated Link Necklace in Yellow Gold with Pavé Diamonds

£72,500 – Buy here

De Beers – Arpeggia Five Line Necklace in Rose Gold, Set with Diamonds

£193,000 – Buy here

Graff – Tilda’s Bow White Round Diamond Bow Bracelet

£56,000 – Buy here

Tasaki – Balance Palace Bracelet

£156,000 – This product is on pre-sale in London’s Selfridges until 16 February 2025

Ina Beissner – Dossier Earrings 18k Recycled Yellow Gold with Natural Diamonds

€5,100 – Buy here

Repossi – Serti sur Vide Ear Cuff in 18K White Gold

POA

Damiani – Mimosa Necklace in White Gold and Diamonds

£4,740 – Buy here

Piaget – Polo Date watch in 18k Pink Gold, Sapphires, Rubies, Citrines, Tsavorites and Garnets

POA – Buy here

FOR HIM

Venyx World – Gold Venus Restored Necklace

£5,160 – Buy here

Tiffany & Co. – Tiffany Titan by Pharrell Williams Pendant in Yellow Gold

£6,975 – Buy here

Chaumet – Jeux de Liens Pendant

£6,900 – Buy here

Graff – Love Knot Cufflinks in White Gold

£7,900 – Buy here

Louis Vuitton – Le Damier de Louis Vuitton Fine Jewellery Ring

£10,700 – Buy here

Piaget – Polo Date Watch 42mm in Rose Gold

£27,300 – Buy here

by Imogen Clark and Lily Rimmer

The post Glass Gift Guide to Jewellery & Watches 2024 first appeared on The Glass Magazine.

Appearing in eight sketches during the 90-minute broadcast, British musician Charli xcx certainly put the work in. She even found the time to record a “Please Don’t Destroy” short that had to be cut for time, which has become the most watched clip on SNL Youtube.

With so many standout moments in the episode, narrowing down the highlights is no easy task—but here are some of the best:

Julia Fox introduces the star of the show

Charli xcx Monologue wearing Dilara Findikoglu

Charli xcx Adele rendition during the Wicked auditions

360 live and the Gucci bag that steals the spotlight, delivering a performance of its own.

It Girl Thanksgiving Special

The post Charli xcx’s best SNL moments first appeared on The Glass Magazine.

The atmosphere was vibrant, naturally charged with excitement. As we navigated through the crowd, beneath the painterly sky setting across the glistening Louvre, with the knowledge that the season was just minutes away from closing, a deep appreciation for the magic and sense of community that the industry so often evokes was undeniable.

The arrival of A-list attendees to the scene ignited an orchestra of screams, with swarms of fans flanking the walk from car to venue, their cheers reverberating across the expansive courtyard and amplifying the magnitude of the House’s influence with natural acoustics even Louis Vuitton could not have devised.

The stark contrast between this raucous reception and the profound silence inside the mirrored show enclosure was striking and symbolic. Creative Director Nicholas Ghesquière expressed a desire to reconcile two antagonists, softness and power, in this collection.

“Sartorial soft power can also be a striking back-and-forth between two contradictory yet harmonious opposites” the show notes revealed. This juxtaposition was probed by Ghesquière, utilising two different ateliers to challenge the balance of materials.

The cropped jackets, most notably, were crafted from fabrics previously used only in blousons—so lightweight that the material billowed across the arms, creating an interplay of shapes that gave the garments a life of their own. This fascination with the mechanics of fluidity was palpable throughout.

Standout pieces included Grecian sandals in a kitten heel silhouette, with leather straps that replicated the handles of Louis Vuitton trunks, as well as the two-bags-in-one-hand styling—a familiar sight on the streets, but rare on the runway. The pantaloons that have become Ghesquière’s signature appeared in a translucent, ethereal sheerness with contrasting hems, pushing their already iconic form further.

Inspired by the Renaissance era, Ghesquière once again delved into his repertoire of historical fashion references, expanding on his enduring interest in military silhouettes, the French bourgeoisie, and the Juliette sleeve, formerly emblematic of that period.

This foundational reference was, however, given a contemporary twist, with Ghesquière collaborating with artist Laurent Grasso to create printed fabrics featuring five paintings from his series Studies into the Past.

Grasso’s prints concluded the show, presented in a trio of silk jackets so lustrous they appeared as though rendered in oil paint, effectively blurring the boundaries between reality and imagination. This was not the first remarkable visual spectacle of the evening, however, the catwalk—constructed from over 1,000 Louis Vuitton trunks that gradually rose as the opening look made its way down the runway—was an unparalleled display of visual mastery.

Marking ten years of Nicolas Ghesquière at Louis Vuitton, the sense of gratitude swelled as he took his gracious bow. At a time when the perpetual game of Creative Director musical chairs seems endless, it is unsurprising that Ghesquière’s presence can provide such a profound sense of solace.

by Lily Rimmer

The post PFW SS25: Louis Vuitton first appeared on The Glass Magazine.

The sudden change in weather felt fitting, especially given that the collection was inspired by a concern for the dwindling populations of birds.

The international feather trade is estimated to be worth as much as $8.3 million USD, with ostrich feathers being the most commonly used wild bird feathers in the fashion industry. Coupled with the alarming fact that nearly 50% of bird species are in decline, the message behind SS25 carries considerable weight. “Save What You Love” became the manifesto for the collection, inspired by Jonathan Franzen’s book The End of the End of the Earth, in which he turns to birds for solace and healing.

The catwalk, situated on Marché Saxe-Breteuil, drew local residents to their balconies to watch the spectacle unfold. Rows of guests framed the runway, each wearing “About Fucking Time” caps gifted by the brand — a slogan McCartney has revived since she first donned a custom vest with the same message in 1999 to celebrate her father Sir Paul McCartney’s induction into the Rock and Roll Hall of Fame. The element of time serves as a precursor to the sustainable principles Stella McCartney hopes to embed in the fashion industry.

The garments that followed embodied this ethos, utilising materials such as Hydefy mycelium leather alternative and recycled nylon yarn, which was spun into cloud-like knits made from plastic bottles and caps. The collection, which comprised 91% sustainable materials, represented an industry-leading commitment to eco-conscious fashion.

A post-show reflection from McCartney herself highlighted the sad reality of the uniqueness of her brand—combining sustainability with aesthetically pleasing designs should not make her an anomaly. Sustainability was not a burden on the beauty of the collection; if anything, it enhanced it.

The new Stella Ryder bag took centre stage among the accessories, destined to be an instant icon. Inspired by Stella’s love of horses, its curved silhouette mirrors the gentle slope of an equine spine. It is crafted from a cruelty-free alternative using recycled materials, trimmed with VEGEA (a grape-based solution), and lined with organic hemp, a sustainable plant-based fibre.

A strong contender for the accessory spotlight emerged from SS25’s collaboration with Adidas: the new Rasant trainer, a high-top with a signature streamlined shape, featuring cascading layers of lace on fabric.

While the skies may be brightening, can we expect the future of the fashion industry to follow suit? Stella McCartney’s shows remind us of just how far we have yet to go. Style need not be sacrificed for ecological responsibility, and as ever Stella McCartney proves that.

by Lily Rimmer

The post PFW SS25: Stella McCartney first appeared on The Glass Magazine.

Whether it’s a knock off pump on the metro, a person walking their dog where both the owner and the pet sporting head-to-toe Chanel, or the enthusiastic fans donning as much of the brand as possible, even if it is just a sock, in order to get noticed around the outskirts of security. 

When you consider that all of the effort was for the first Chanel show that has not featured a creative director at the helm since 1983, the influence of the House becomes staggering. It does, however, help that a Chanel item withholds an identity coated in visual legacy that no other fashion house can or wishes to attain, and their SS25 collection echoed this notion under the expansive glass roof of the Grand Palais, which marked Chanel’s return to the venue since it closed for restoration four years ago.

In an ode to this reunion, the collection encompassed the gigantic aviary-esque space, steered by an adjacent desire to celebrate a new chapter of freedom for the House, and further cemented by Coco Chanel’s connection to birds, namely those given to her by her seamstress. The spreading of wings, unsurprisingly, became a recurring theme. 

The momentous birdcage at the centre of the runway was the first nod to this; the feathers that framed an abundance of cropped jackets, hair clips and hemlines another; and the fluid trails of organza that revealed themselves in billowing proportions as each model turned underscored it further.

With its door swung open, the birdcage also served as a metaphor for Virginie Viard flying from the nest and the empty seat that she has left and is still yet to be filled.

SS25, as a result, was designed by the in-house creative studio, and was built as a visual reminder of the House’s long history. The proprietary tweeds were made playful with a wash of pastel, the skirted suits of Coco Chanel’s time adapted into shorts with thigh splits, and the accessorising, namely the black leather belt that cut through the light chiffon looks towards the close, modernised the Chanel model for the woman of today. 

Backstage, where the likes of Margaret Qualley, Jennie Kim from Blackpink, and the new Chanel ambassador Lupita Nyong’o gathered to likely discuss who they thought deserved the position of Creative Director at the House – it is the hottest topic after all – a note for the models ahead of their catwalk entry read ‘remember to enjoy it’. 

The translation to the runway was undeniable. How many models can say they walked through a Grand Palais height bird cage, in which Riley Keough at one point sung When Doves Cry by Prince to the audience as she glided through the sky on an levitating swing (in ode to the 1991 commercial starring Vanessa Paradis), whilst wearing ethereal clothing that swarms of people gathered outside would be devouring with the utmost respect and admiration? 

The House of Chanel’s announcement of a new lead is waiting in the wings.

by Lily Rimmer

The post PFW SS25: Chanel first appeared on The Glass Magazine.

Top of the Rock, Manhattan, NYC

When I received an email regarding New York Fashion Week, with the first line validating my internal yearning for a little rest and relaxation, naturally I swooned. New York Tourism & Conventions had built an impressive schedule for the post fashion week downtime, maximising a couple of days to show us the best that the city has to offer.

Finishing my final show of the season and heading to the Loews Regency New York to check in for the next, and far more glamorous, schedule to commence, was a moment I shall cherish forever. Situated on Park Avenue, a mere few steps from Central Park, the luxury hotel offers expansive views of swanky buildings in the Upper East Side. The interiors reflect this, with sophisticated muted tones framed by gold detailing, geometric prints, and warm lighting.

Loews Regency

Loews Regency King Guest room

From the basement level to its 21st floor, the hotel exudes style. The Julien Farel Restore Salon and Spa, a 10,000-square-foot urban spa oasis that can be found on the ground floor run by French hairdresser Farel and entrepreneur Suelyn Farel is testament to this. With each wall decorated by photographs of the iconic shoots and clients that Farel has worked with during his credible career, you feel the weight of experience echoing through the walls. Inspired by the legendary ‘Power Breakfast’ at The Regency Bar & Grill, Julien and Suelyn Farel created the ‘Power Hour’, an experience where one can receive three or four simultaneous services in an hour. Sign me up.

New York is well documented for its musical legacy, and visiting The Jazz Club at Aman New York that evening was a generous slice of its historic foundations, harking back to the Prohibition era and the likes of Louis Armstrong and Duke Ellington. Aman’s Jazz Club takes direct inspiration from speakeasies of the era aforementioned to build an urban sanctuary cocooning you in a melody of exquisite music, cocktails and decor away from the busy streets.

Aman Jazz Club

It feels like stepping into a doorway to the past, a discreet, luxurious haven with minimal logos, adding to its exclusivity. The musical performances we witnessed, ranging from an eccentric tap dancer to a traditional jazz quartet, exemplified the success of this opulent throwback to the Golden Age of Vaudeville & Variety.

After an evening of tequila, wellness awaited us at the QC NY Spa the following morning, an enchanted oasis found on Governors Island, a short ferry trip from downtown Manhattan. It was a crisp morning, and the steam billowing from the heated outdoor pool and jacuzzi overlooking the city skyline is an image that will stay with me forever. Just 24 hours earlier, I had been rushing to my final fashion show of the season, blisters intact and dehydration on my mind.

The city skyline at QC NY Spa

At QC NY Spa, you can explore over 20 wellness experiences, from sauna rooms to foot bath spaces to an upside-down room encouraging a different perspective. The package is an eclectic mix of nourishment for the mind, body, and soul. My favourite was the infrared room, featuring cushioned beds encased in infrared lights with a warming effect to help dilate capillaries and activate metabolism. I will now prescribe a post-fashion week spa day for all upcoming seasons.

With our minds blissfully relaxed, the only therapy missing was retail. Home to an ultimate collection of archival fashion and luxury shopping, the city boasts multiple hotspots for a wardrobe refresh. Madison Avenue offers the leading stores gleaming with inviting hues and window treatments, redefining the in-shopping experience. Venturing down Madison Avenue to The Met steps (a must visit for Gossip Girl lovers alike) introduces you to emerging designers, completing my full-circle moment from the days prior that were spent exploring fashion week designers who define the city as a destination for up-and-coming talent.

Madison Avenue by Julienne Schaer

Fuelled by the creativity of the city, our after hours visit to the Museum of Modern Art could not have been better timed. As the first museum devoted to modern art, it encompasses an extraordinary collection of 200,000 works by 20th-century artists. Feast on Van Gogh’s Starry Night along with favourites by Kahlo, Warhol, Rothko, and more. The triptych of Monet’s Water Lilies in room 515, which envelopes you in the dazzling, disintegrating and daring vision of the artist, is a truly unforgettable experience, especially when witnessed alone.

MoMa facade

The exhibit “Artist’s Choice: Grace Wales Bonner – Spirit Movers” was showing during our visit, a deeply personal meditation on Black expression by the London-based designer. Fashion week often moves too fast to appreciate the artistic notions behind collections. Seeing Bonner’s expansive mindset within this incredible symphonic exhibition was a valuable reminder of the personal narratives infused into each designer’s work. I left with a newfound appreciation for the aesthetic practice of the industry in which I operate.

The Modern dining room

Adjacent to The Museum of Modern Art, The Bar Room at The Modern offers Chef Abram Bissell’s vividly seasonal contemporary, à la carte cooking, with caviar hot dogs, artichoke velouté, and an array of the finest cuts of meats building layers of complex flavours that redefine the classics of American cuisine under a contemporary lens. Accompanied by Bourgogne Aligoté, a 2020 wine by François Mikulski that is savoury, somewhat salty and energetic, and the finish was tantalising.

The Modern, Stone Fruits

Strawberry dessert, The Bar Room at The Modern

Visiting the kitchen to see how the chefs made this visionary menu come to life, underscored the collaborative approach to the museum and restaurant as a whole. It also was a pinch me moment as a recent obsessor of The Bear series, which is set at points in a New York kitchen. Admittedly, and reassuringly, The Bar Room is far removed from the chaos found in the series.

City Climb, courtesy of The Edge

Our New York escapade concluded with City Climb, an experience that offers an unmatched perspective of the city. This exhilarating adventure involves climbing a skyscraper over 1,200 feet above the ground and leaning out from the highest outdoor platform in New York City. Guided by a trio of hilarious staff, who made walking up a 45-degree angle to reach the top of a thousand-foot-high building seem like a normal Saturday morning activity, I felt like anything was possible.

Stairs up to The Climb

By the time I was boarding my flight home later that day, I could barely remember how I had even arrived, my mind overflowing with the treasures of New York. It is a feeling all who visit can relate to and stands as a testament to the city’s magic. After just a few days, the home you left behind starts to be replaced by the thrilling possibilities of a new life in a transformative world. If only all fashion weeks could end like this.

by Lily Rimmer

Loews Regency New York – A superior room at Loews Regency New York starts at $599 per night

QC NY Spa – Massages start at $100 per person

New York visitors can book flights via United here or calling 0845 607 6760, or their travel agent. London Heathrow to New York/Newark from £515.49 (Economy); £841.49 (United Premium Plus); £3317.49 (United Polaris business)

For all there is to do and see in New York City, visit nyctourism.com

The post The luxury of New York during fashion week first appeared on The Glass Magazine.

At each of his shows since his debut, the team of craftspeople join Williams on the runway for his final bow. The subsequent press releases meticulously describe the construction and collaboration involved in the pre-production process. These press releases are notably extensive, comprising multiple pages, which we can assume is Williams’ tribute to the late Virgil Abloh, who became renowned during his tenure at the house of Louis Vuitton for his detailed, and lengthy, communication with editor and writer of the press releases, Anders Christian Madsen.

Williams’ broader outlook also informs the concepts for his collections, each taking an expansive approach to a core influence, incorporating themes that resonate with his diverse fanbase. His debut was inspired by the sun, his Pre-Fall 24 collection by the moon, and now, for Spring Summer 2025, Williams adopts a solar perspective, focusing on the Earth and its inhabitants. In an effort to foster connection, Williams explores the nuances of global mentality, questioning how such a diverse species can find unity in this era.

As guests arrived at the UNESCO Headquarters in Paris, even before delving into the detailed press release, the theme of unification was evident. Passing through security, we walked past the flags of the world, fluttering under the evening sun, symbolising the vastness of our planet. The caged globe at the centre of the runway was the next phase of this theme.

And the emphasis on music, a universal language, was the final component. The choice of venue, the rooftop of Le Maison de l’UNESCO, built in 1958 to promote global peace through culture, also cleverly ties into Louis Vuitton’s heritage of travel.

The diverse traveller serves as the archetype for Williams’ SS25 collection and the clothes become a canvas for his vision of unification. From the generic style of pilots and their flight suits to the more obscure football-inspired outfits reflecting the world’s most popular game, this travel-centric lens steers the ship for the entirety of the collection. The comfort-driven notion of a leisure traveller is echoed in the tracksuits and workwear, which prioritise comfort yet are refined in technical construction. incorporates various Louis Vuitton emblems, reinterpreting iconic symbols under Williams’ direction.

From afar, the colours seem subdued, with previous Louis Vuitton neon splashes replaced by a more muted take. This was intentional, offering a palette rendered in the nuances of skin tones of all the humans of the planet, and further underscored by the translucent fabrics that revealed the model’s skin beneath.

Accessories are infused by the tactility of skin too, with soft leather versions of bag icons such as the Alma, the Christopher and the Neverfull, usually made in canvas twill. The Danube, Nile, the Mazon and the Bastille bags are relaunched for SS25. Despite the new washes and materials applied to beloved models, there are many reminders of Williams’ highly anticipated first accessory design for the house.

The adaption of the famous Damier print into camouflage patterns was welcomed upon Williams’ arrival, and its transition into Snake-o-Flage for SS25 is a standout moment – but this only leaves us hungry for more of them. Where Williams truly excels, however, is with the music for his shows.

For this event, he produced three original pieces: “Triumph Cosmos” by Williams, “Birds Don’t Sing” by Clipse (feat. John Legend), and “Falling UP” by Adekunle Gold, Williams, and Nile Rodgers, performed by the Voices of Fire choir and L’Orchestre du Pont Neuf. The sensory effect was staggering, encasing every corner of the venue with a transformative energy that also extended to the models of the collection, each infused with an air of performance as they stomped down the grassy Damier printed runway. The guests struggled to remain seated, and I must admit, I had my Shazam app running continuously.

If three songs and masses of musicians was not enough, the collection also features an artistic exchange with the creative collective Air Afrique, which was founded in 2020 in Paris to support arts on the African continent through multimedia formats. The show’s cinematic prelude was directed by them and their collaboration can be seen on select logos and patterns within the collection.

While this expansive viewpoint is admirable, it remains to be seen how long Williams can sustain such a broad scope for his collections. Streamlined clothing that adheres to more specific boundaries might challenge Williams to define his unique vision for Louis Vuitton. There are only so many themes that can encompass a global perspective, and Williams is rapidly exploring them.

Nonetheless, the sheer volume of references, collaborations, and stylistic innovations he manages is undeniably impressive. His strong relationship with the design team is a testament to his remarkable ability to build and maintain a beloved presence in the world of fashion, music, and beyond.

by Lily Rimmer

The post PFWM SS25: Louis Vuitton first appeared on The Glass Magazine.

Admittedly, dining in China can not be replicated anywhere but China, especially considering many of my meals required me to request them in Mandarin with zero guidance but elementary lessons. The food, therefore, tasted of satisfied triumph as much as anything else.

When the London restaurant Gouqi was presented to me, therefore, I was instantly intrigued. The name alone packages up a morsel of the picturesque paths of China. Gouqi (pronounced “goji”) derives its name from Gouqi Island in the East China Sea, an abandoned village famed for its fishing and distinctive goji berry shrubs.

Tong Chee Hwee – formerly Executive Head Chef at seven-time Michelin-starred Hakkasan Group – has built a haven just off Trafalgar Square with the launch of Gouqi in Feburary 2023. Renowned for his Cantonese dishes, I was further drawn in by my memories of Hong Kong and the transformative lessons I gained in their cuisine.

From the green leather menus with gold text, to the silver duck chopstick holders, the restaurant holds an immersive capability in the interiors alone. As we were guided to our semi private curtained booth, we were further cocooned in the rich culinary efforts that Gouqi prides itself on, with dishes enveloping our table with smells and a blanket of colourful patterns. With our waiter, Jeffrey, fluttering in and out between the drapes, serving captivating energy and enthusiasm for the menu in the process, our attention was commanded.

Opening with a variety of colourful parcels of joy, otherwise known as the steamed royal dim sum platter, topped with gold leaf, caviar and shimmering sauce, the playful approach to dining was clear from the get go. I found myself on familiar ground when looking at the ingredients of each dish, but on an exciting new territory when unfolding the combination of them and the exquisite presentation. This was Chinese dining with a twist.

Entrees included Prawn Siu Mai, topped with abalone; Char-grilled Silver Cod with yellow bean sauce and passion fruit; crispy pork belly; and razor clams, each singing with salty flavour and hearty gusto and technique. The restaurant has become renowned for Chef Tong’s legendary peking duck with Oscietra caviar, which was clear to see upon our visit, with many of the tables glistening under the light from mountains of roasted duck skin.

Dessert was served on a bed of dry ice, which billowed over the edges of our table to create a white canvas for our dark chocolate, matcha and goji berry desert, named Gouqi Valley, to sit upon. Washed down with a glass of La Giuva Il Rientro with bold oaky notes and a smooth cherry finish, and the magic of the restaurant was enriched.

I may not be able to pop to China on a day that I experience a craving for Chinese food, but Gouqi will be there waiting for me, ready to guide me through a culinary journey that is unmatched in the city of London.

by Lily Rimmer

Gouqi: 25-34 Cockspur St, St. James’s, London SW1Y 5BN

The post Gouqi and their masterful display of Chinese fine dining first appeared on The Glass Magazine.

Enveloping you with captivating snapshots, not only of its own enchanting ambiance but also of its sister establishment, Dory’s, a curated glimpse into the culinary marvels that grace their daily changing menu are illuminated by the Margate esplanade, where each restaurant finds its home.

Scroll a little further and a quote from E. F. Schumacher’s Small is Beautiful reads “We still have to learn how to live peacefully, not only with our fellow men but also with nature”, which goes some way to encapsulate the distinctiveness and guiding ethos that gave rise to Angela’s.

Opened in 2017 by Lee Coad, his partner Charlotte, and Head Chef Rob Cooper, the motivation was, and remains, fiercely centred around a care for people and the planet. “Everything is for the future,” Coad stresses.

_{Lee Coad, Co-founder of Angela’s and Dory’s of Margate}

_{Interior of Dory’s of Margate}

Whether manifested in the quality of the produce, the meticulous sourcing methods, the individuals crafting each dish, the artful serving plates, or the thoughtfully curated beverages, Angela’s of Margate presents a comprehensive and unwavering commitment to leaving as little mark on the environment as possible.

“Firstly, we spend a lot of time removing plastic from our supply chain”, Coad remarks. The rooms situated above the restaurant exemplify this commitment with features like “reused floor tiles, rugs crafted from leftover weaves, and lamps grown from mushrooms”.

Catch a glimpse of their bone china cups, crafted by the Yorkshire born potter Carly Bream using discarded fish bone remains from the restaurant below, and you’ll find yourself gasping at the delicacy.

_{One of the rooms you can stay at above Angela’s of Margate}

Coad readily acknowledges that the restaurant, like any venture, isn’t flawless. The challenge of closely monitoring the entire supply chain from source to plate can be demanding. But by growing as much produce on their new regenerative farm – based a few miles down the road and completed in partnership with 21 year old Jack Scott, who recently won the BBC Young Countryside Champion 2023, working with local day boats and prioritising English Wines, Coad hopes to shift our attention to the finer details of how we eat.

“Anything you can’t use, you either leave out or figure out a way to do it yourself” he says. It is this admission that adds another layer of charm and allure to the restaurant’s identity.

During our visit on a brisk weekend, Coad is in the midst of developing their new project – The Perfect Place to Grow. An initiative spearheaded by Angela’s, alongside Harry Ryder from Bottega Caruso and Ani James a youth worker and chef, which aims to support unemployed 18-24 year olds into sustainable long-term employment using the food chain.

“Margate has changed immensely over the last ten years and I am very proud of my restaurants, but many parts of Thanet remain hugely deprived of support for young people. The idea is to give young people the skills, time and space to grow,” Coad explains.

Coad is particularly impassioned when speaking about the project because, as he explains, “this is a project started by us, as a result of the last seven years in this food industry, but one that will be led by young people in the future. The food producers in Kent have the amazing ability to help change the fortunes of young people”.

This community-centric initiative is further underscored by the decision to conduct classes in a space generously donated by Margate native and artist Tracey Emin.

_{Angela’s Gurnard, celeriac, wild garlic}

_{Angela’s Hake tomatoes}

It is credit to the strength of the ethos behind the restaurant that I am yet to even delve into the culinary delights that we enjoyed during our visit. But I have arguably saved the best till last.

Embarking on a flavourful odyssey, our culinary journey unfurled with a display of refined artistry— trout on toast, a perfect prelude to the seafood awaiting our palates. Opting for smoked prawns immersed in aioli, and scallops, set on a bed of velvety cauliflower mash crowned with toasted almonds and heightened by the piquancy of sharp capers, for our starters
and we were in a state of blissful indulgence.

We washed it down with a bottle of Blackbook’s Sea Of Love – a 2021 Pinot blanc from Crouch Valley Vineyard in Essex; a delightful dance of lemon and lime zest, peach, white floral, and grapefruit notes, offering a perfect counterpoint to the smoky saltiness.

_{Angela’s Skate Brown butter}

_{Angelas’s Crab on toast}

For mains, the sea trout with broccoli and ‘chorizo’ – meat free chorizo made from fish cheeks that are smoked and taste utterly divine crumbled into a salty paste. The turbot was crisped to perfection and swimming in a rich lobster bisque, both showcasing Angela’s ability to elevate humble ingredients through innovative experimentation.

“[Head Chef] Rob is fascinated and inspired by old English cookery – Elizabeth David, Jane Grigson and Simon Hopkinson. Rob always says get great ingredients and try not to mess it up,” Coad insists.

But this assertion of simplicity belies the magnificence experienced by those fortunate enough to dine in the restaurant. The memory of the sugary toast adorned with caramelised apples and a decadent veil of thick vanillary custard that was served as our finale is the metaphorical punctuation to the former sentence.

What a heavenly way to present their message, mission, and method.

_{Angela’s Lobster and bisque}

One can only hope that Angela’s of Margate sets a commendable standard for other restaurants to aspire to, both in terms of culinary excellence and a commitment to harmonious coexistence with nature.

This establishment stands as a prestigious emblem for the seaside town.

by Lily Rimmer

_{Open every Thursday – Monday between 12.00 – 10.30pm. For bookings visit here.}

The post 2024’s must visit restaurant: Angela’s Margate first appeared on The Glass Magazine.

“There is romance with the past”, reads the autumn winter 2024 show notes. Delving into the contemporary world through memories of the past, the AW24 Prada show built a mishmash of eras, juxtaposing stereotypical symbols of modern fashion with elements drawn from outfits from the past in order to unpick notions of beauty.

Take the varsity bomber jackets styled on top of shift dresses appliquéd by floral patterns as an example, or the technical rain macs that accompanied court shoes and cat eye frames; these are not necessarily harmonious elements, but under the insightful eye of Miuccia Prada and Raf Simons, they transform into indispensable combinations.

Yet, despite the rich treasure trove of reference points, Prada stressed an emotional reaction over an intellectual examination. These garments are imbued by experience and our instinctive memory of times of heightened feeling. Miuccia Prada has often delved into the internal conflict between dressing with the carefree spirit of youth and the sophistication of maturity, resulting in designs that straddle both realms.

For AW24, this duality was expressed through the strategic placement of bows, either on the hems of pockets, gracing the backs of skirts, or enveloping certain dresses entirely. By reimagining the conventional symbolism of femininity and youth associated with bows, the very essence of these elements is challenged, leading to a redefinition of our sartorial language.

There is a modesty to AW24 at Prada, with narrowed silhouettes that prioritise simplicity over accentuating the figure. Necklines are elevated, waist bands are lowered, and there is an abundance of layered knits.

It is within the accessories that you can find provocation. Military inspired wide brimmed hats are adorned with a vibrant appliqué of feathers, while bags featuring floral motifs reminiscent of antique porcelain plates are given a rebellious twist with punky leather belted arm bands. Even the models’ unconventional way of carrying their bags – tucked under their arms with a hand placed on their chest – reflects a bold departure from the past, in direct response to the era of clutching iPhones.

This is a collection designed to communicate and express. Through the innovative reinterpretation of the familiar, Prada and Simons adeptly challenge our conventional standards of judgment, offering a fresh perspective on fashion consumption.

by Lily Rimmer

The post MFW AW24: Prada first appeared on The Glass Magazine.

Iannone recognises Ferrari’s expertise in crafting machines, but for AW24 he cleverly demonstrated his mastery in creating a casing to the human variation, which can move, grow in strength and define its presentation on its own terms – unlike any machine that Ferrari has had to deal with before.

Infused with the iconic Ferrari red hue, the monochromatic ensembles showcased a rich variety of textures, highlighting the adaptability of the shade when applied to both structured and fluid designs. The vibrant red was applied to not only symbolise passion, emotion, and desire, but also to serve as a poignant reminder of the vitality and energy that sustains our very being.

Shearling race gloves, titanium eyewear and organically moulded chunky metal jewellery (exhaust pipe fashion?) was a nod to the broad automotive narrative. The sporty driving shoe is metamorphosed, first as a ballerina pump in crinkled patent leather and then a décolleté, an ankle boot, and a cuissard boot. 

These are clothes for a distinct customer base of thrill seekers.

But the true triumph of the collection was the way in which Iannone grasped materials that could catch the light and build movement as the models graced the runway. Draped satin surfaces, ethereal and reflective organza created with peach thread were examples of this. Silk was woven with metal to create couture quality dresses that offered gradient hues so captivating that many in the audience actually lifted their head from their phones to enjoy the mastery.

With the show enclosed by sleek black patent curtains, and with the ambiance set by two harpists playing softly against a techno backing track, the broad sensuality and allure of the garments was undeniable.

by Lily Rimmer

The post MFW AW24: Ferrari first appeared on The Glass Magazine.